{"id":6473,"date":"2018-02-25T12:27:19","date_gmt":"2018-02-25T12:27:19","guid":{"rendered":"http:\/\/alenakuznetsova.com\/?page_id=6473"},"modified":"2024-11-25T15:56:49","modified_gmt":"2024-11-25T15:56:49","slug":"daydreamer","status":"publish","type":"page","link":"https:\/\/alenakuznetsova.com\/?page_id=6473","title":{"rendered":"Daydreamer"},"content":{"rendered":"
My \u00abDaydreamer\u00bb project is about the phenomenon of imagery in art and our perception. I used digital code to create additional detailed figurative zoomorphic images based on my abstract paintings (where they initially did not exist). This utopian psychedelic playful gesture demonstrates the hidden patterns of our brain\u2019s work. Usually, by reducing everything unnecessary in my non-objective painting, I do not intend to depict anything specific or imitate the surrounding world. However, the constant questions from viewers like \u2018WHAT did you want to depict here?\u2019 resonated with me on a deep level. Feedback from visitors to my exhibitions, friends, and random people about their imaginary visions of animals, people, and insects in non-objective works indicates the tendency of most people\u2019s perception to seek recognizable images in each such painting, even if it is far from them. This is the scheme of work and perception of reality by the reptilian part of the brain, which has evolved for survival. In this project, I seem to trust the machine and the viewer to be my co-authors, \u2018improving\u2019 my works with the help of new technologies of the future.<\/div>\n
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